In the best interviewing tradition, the first thing I do when speaking with Tom Fun Orchestra’s frontman, Ian MacDougall, is remind him that I offended his sensibilities in our first conversation (following the Orch’s first CD tour in 2010). At that time he responded to my simplistic interpretation with, essentially, ‘We don’t need no stinkin’ kitchen party!’
“I don’t think I’d be nearly so (concerned) about it now,” he says on the phone, while wandering the streets of Vancouver during their current tour last week. “I don’t even think I was then.”
Their current tour brings them to SAIT’s The Gateway on the 29th, and it will definitely be a show worth watching. On their first pass through Calgary in 2010, the show was likened (by yours truly) to the result if James Brown growing up in Cape Breton. It’s not a neat metaphor, but it captures how they had taken the flavours of the region (“We have a fiddle player and an accordion player and a banjo and people say ‘they’re from Cape Breton so it must be a kitchen party’,” Ian said then) and gone completely over the edge.
Now, he’s less concerned about that labelling.
(This disc) is certainly more representative of the music we want to be making, and how we envision ourselves as a band. Last time we were around it was our first batch of songs, and we were brand new, and there wasn’t so much idea about structure: we just kind of threw them all together in whatever way they came out.”
Structure of who the Orchestra is, or of the songs?
“All of the above.. . . . . It’s not that we’re embarrassed by the first batch of music, (but) it’s so far removed from music that we listen to, or that we like to play.
“What we did is set out to make an album; I feel that a live show is such a separate thing. I would say that our live show is still similar to what we used to do. There are some songs on the album that we will probably never be able to pull off live in the way that they were recorded.. . . . I’m not really concerned about that because I see them as two wholly separate experiences.”
On the first tour through, Calgary, their performance of You Will Land With a Thud shook the dust out of the Marquis Room, and given the band’s apparent enthusiasm for the direction their music is taking (what direction is that? Definitely lost the ‘east-coast’ regional twang: gravelly vocals dueted with an almost punk female/group vibe, psychadelic craziness and uncategorizable lyricism and harmonies) the Orchestra has a lot to offer.
And maybe they’ll play the title track.
“I have no idea where the (album) name came from. It was this odd-titled track which I recorded with a ukulele and keyboard. I had played it for my friends, but it certainly wasn’t anything that we would normally play. But we all just liked it so much that we just put it on there, and then ‘Let’s call the album after that. (laughs)’
That’s one of the aforementioned ones that we’ve never played live: maybe if we get a fleet of ukuleles, we might.”
Or a fleet of requests; take my word for it, you’d love to hear them do it.
In fact, if you enjoy music that defies expected genres, and brings multi-instrumental poetic insights to life, plan to catch the Orchestra having Fun in The Gateway.